The Vogels met Lynda Benglis when she was a gallery assistant at the Bykert Gallery in the late 1960s and were among the artist’s earliest supporters. These two untitled drawings from 1993 convey a sense of immediacy, physicality, and expressive exuberance that are characteristic of Benglis’s better-known sculptural work. The radiating layered lines infuse both drawings with intense energy, while the irregular circular forms recall cells or living organisms. According to Benglis, “Sometimes, I realize that drawings predict what I am thinking. . . . I only draw to release the idea in my consciousness, unconsciousness.”